CV
Studies
YEAR |
TITLE |
INSTITUTION |
2004 |
Acting for Theatre |
National Academy of Theatre and Film Art, NATFA, Sofia, Bulgaria |
2000 |
Higher Education |
Second English Language Higher School Thomas Jefferson, Sofia, Bulgaria |
Additional training
YEAR |
LEADING ARTIST / COMPANY |
TITLE / WORKSHOP SUBJECT |
DURATION |
2021 |
INK Theatre, Montreal |
Research workshop on movement and text relations on stage; creation of two solos |
30h |
2021 |
Robert Reid / La Porte Rouge, Montreal |
Informal actor’s body training inspired by the method of V. Meyerhold |
20h |
2020 |
Peter Farbridge / Modern Times, Toronto |
The Body Subjectivity |
16h |
2018 |
Soheil Parsa / Modern Times, Toronto |
Theme and Conceiving |
16h |
2016 |
She-She-Pop, Germany |
Being Divided Choirs / Dialogue strategies & talking games |
8h |
2015 |
Ivo Dimchev, Brussels – Sofia |
Do Yourself a Favour / Composition for a solo |
30h |
2014 |
Peculiar Works, NYC |
Discovering America / Promenade theatre |
36h |
2013 |
Barbara Lanciers, NYC |
Viewpoints |
40h |
2011 |
Jivan Sunder, Israel |
Gurdjieff Dances |
20h |
2007 |
René Pollesch, Berlin |
Rollende Roadshow / Theatre and philosophy workshop |
16h |
Affiliations
Institution |
Statut |
UDA |
Full member, #171057 |
ACTRA |
Full member, #06-05963 |
La porte rouge, Coopérative philodramatique |
Member |
Theatre | Cinema & TV | Voice Over